a5c7b9f00b Great Britain, 2007. A deadly plague, knownthe "Reaper Virus," has broken out, killing hundreds of thousands in its wake. In desperation, the British Government evacuatesmany survivorsit can out of the infected area, and then builds a wall, preventing the remainder from escaping. Thirty years later, with the wall still up and the victims all but forgotten, the virus breaks out again. The Government decides to send a crack team of operatives, led by Major Eden Sinclair, into the hot zone to investigate the possibility of a cure.
A futuristic action thriller where a team of people work to prevent a disaster threatening the future of the human race.
It depends on sense of humour, but in my opinion you need to have VERY SERIOUS reasons to put medieval Robin-Hood-like curly guys together with high-tech Alien-like military activities, Tomb Rider-like feminine sexy professional commando, 21th century Mad-Max-like punk guys on motorcycles, zombies and some political fiction in one movie. You have to be at least Quentin Tarantino to do this trick right. And Neil Marshall isn't even Robert Rodriguez :) So - in other words - this movie lacks "the trick". It has ridiculously complicated concept (which is complicated and ridiculous enough to make us believe that there are some mentioned above VERY SERIOUS reasons behind it). It has Rhona Mitra's pretty face and very well-shaped buttocks in cast (which helps us manage watching in bad moments). And it has nice budget (which would remain even untouched if dialogs were just little better)…. So where is the magic? Let's say - Just not everyone can tell THAT kind of jokes. Neil Marshall's "Descent" was terrific, but this is just not his league.<br/><br/>Movie is: Not funny, not scary, not entertaining. But pretentious, but boring, but over 1,5 hour too long. It could be very nice 5 minute Aerosmith video-clip with few of Rhona Mitra's hottest shots, some guns, some bows, and with one particular luxurious car :) Three stars - one for Rhona's face, one for buttocks, and one for sexy armpits :)
Wow this was something. Filled with bizarre story arcs, Doomsday had so much potential but ultimately in the end it was just too many ideas all tossed together so that it also became a bit of a mess.<br/><br/>I had to give it high marks though because honestly I couldn't look away. I just had no idea what was going to be thrown at me next and was quite hooked within the first 30 minutes of the story. <br/><br/>Its basically '28 Days Later' but then it also becomes 'The Road Warrior' with a bit of 'Escape From New York', 'Laura Croft' and even 'Highlander' thrown in for good measure. Its all over the place but its also super fun.<br/><br/>There is tons of gore, fantastic action scenes (car chases, sword fights, shootouts, explosions) and unique deaths among a cast of crazy characters; punks, gladiators, zombie slayers, futuristic soldiers and much like a car accident you just have to have to look. I also had no clue what (movie rip-off) was going to be thrown at me next so then I had to see it to its conclusion. 03.13
Mitra, clad in the requisite tight, sexy outfits, conveys a suitable toughness but little in the way of personality, while such distinguished British actorsBob Hoskins and Adrian Lester dutifully show up to collect their paychecks.
Thirty years after Britain successfully walled off Scotland to contain the spread of the Reaper virus, a particularly lethal virus that has infected millions, England is devastated to find that the virus has popped up again in London. Consequently, Major Eden Sinclair (<a href="/name/nm0593961/">Rhona Mitra</a>) of the Department of Domestic Security is asked to lead a team of operatives into the quarantine zone to find medical researcher, Dr. Marcus Kane (<a href="/name/nm0000532/">Malcolm McDowell</a>), who was last known to be working on a cure …that is, if they can survive the survivors who have taken over Scotland. Doomsday is based on a screenplay by British screenwriter Neil Marshall, who also directed the film. Sinclair, Ben Stirling (<a href="/name/nm0604418/">Darren Morfitt</a>), and Cally Kane (<a href="/name/nm1769728/">MyAnna Buring</a>) are intercepted by a gunship carrying the new Prime Minster, Michael Canaris (<a href="/name/nm0641244/">David O'Hara</a>). He asks for the cure, and Sinclair produces Cally, explaining that she is immune to the virus and that they can use her blood to make a vaccine. Canaris informs Sinclair that he has no intention of producing the cure just yet. He would rather withhold it until such timethe virus has killed off the infecteda form of population control. Canaris invites her to come back to London with him, but Sinclair chooses to remain in Scotland and look for her mother at the address written on the note. Sometime later, Nelson uses that address to fly into the quarantine zone and locate Sinclair. She tells him of Canaris' plan and gives him a recording she made with her artificial eye of their conversation, giving Nelson all the proof he needs to bring down Canaris. In the final scene, she returns to Glasgow where she tosses Sol's (<a href="/name/nm0176660/">Craig Conway</a>) head to the punk cannibals, saying, "If you're hungry, try a piece of your friend." Realizing that Sinclair has defeated their leader, they begin cheering herhis replacement. The film gives three possibilities: (1) She stayed to look for her mother, (2) she stayed because she knew the hot zone was free of the virus but that London would soon be raging with it, and (3) she stayed to build an army amongst the punks to protect her should Canaris come looking for her. Crowd parties at Sol's show - "Dog Eat Dog" by Adam and The Ants.<br/><br/>Sol dances onstage with strippers - "Good Thing" by Fine Young Cannibals.<br/><br/>Sol dances onstage with men in kilts - "The Can Can" by Ariel Rechtshaid.<br/><br/>Talbot is brought out to the crowd - "Spellbound" by Siouxsie and the Banshees.<br/><br/>Sol's gang chases Sinclair, Stirling, and Cally on the road - "Two Tribes" by Frankie Goes to Hollywood.<br/><br/>End credits - "Club Foot" by Kasabian. The film's theatrical cut was rated R by the Motion Picture Association of America (MPAA). Later, an unrated version was released on DVD and Blu-ray disc, adding more story to the film.
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